• Welcome to Smashboards, the world's largest Super Smash Brothers community! Over 250,000 Smash Bros. fans from around the world have come to discuss these great games in over 19 million posts!

    You are currently viewing our boards as a visitor. Click here to sign up right now and start on your path in the Smash community!

Houston Thread - No HOBOs and no WHOBOs. What do we do now??????????????????????????????????????????

What side event should i include in my tournaments?


  • Total voters
    398
Status
Not open for further replies.

Xyro77

Unity Ruleset Committee Member
Joined
Aug 25, 2003
Messages
17,885
Location
Houston,Tx
Thursday's math test determines whether I pass math or not. Because if I fail this, I'll most def fail the final.

This test overs multiplication/division of rational expressions, addition/subtraction of rational expressions, complex fractions, equations involving rational expressions and applications(word problems) of the previous items I listed.

From what the teacher said, this is the hardest section/test of the course. Help me.....

:phone:
 

Zano

Smash Master
Joined
Jun 13, 2010
Messages
4,327
Location
Corpus Christi, Texas
NNID
DuelistZano
I played the demo of it, it's pretty interesting. I'll probably get it eventually when I have less games to play.

bbn, skullgirls
 

z00ted

The Assault of Laughter ﷼
Joined
Apr 18, 2010
Messages
10,800
Razer wrote at 1:26 am
wooow u fungus lookin mutha mushroom smokin tree smokin
pube smokin smoom smokin *** smokin turnip pullin
pube pluckin blake griffin lookin mutha ****a
 

z00ted

The Assault of Laughter ﷼
Joined
Apr 18, 2010
Messages
10,800
Hipster (1940s subculture)

From Wikipedia, the free encyclopedia

(Redirected from Hep cat)
Hipster, as used in the 1940s, referred to aficionados of jazz, in particular bebop, which became popular in the early 1940s. The hipster adopted the lifestyle of the jazz musician, including some or all of the following: dress, slang, use of cannabis and other drugs, relaxed attitude, sarcastic humor, self-imposed poverty and relaxed sexual codes.
Contents [hide]

1 History
2 Role reversal
2.1 Racial roles
2.2 Sexual roles
3 See also
4 References
5 External links
[edit]History

The words hep and hip are of uncertain origin, with numerous competing theories being proposed. In the early days of jazz, musicians were using the hep variant to describe anybody who was "in the know" about an emerging culture, mostly black, which revolved around jazz. They and their fans were known as hepcats. By the late 1930s, with the rise of Swing, hip rose in popularity among jazz musicians, to replace hep. Clarinetist Artie Shaw described singer Bing Crosby as "the first hip white person born in the United States."[1]

Subsequently, around 1940, the word hipster or "Amael"was coined to replace hepcat, and hipsters were more interested in bebop and hot jazz than they were in Swing, which by the late 40s was becoming old-fashioned and watered down by "squares" like Lawrence Welk and Guy Lombardo. In the 1940s white youth began to frequent African-American communities for their music and dance. These first youths diverged from the mainstream due to their new philosophies of racial diversity and their exploratory sexual nature and drug habits.

Hipster is listed in the short glossary "For Characters Who Don't Dig Jive Talk," published in 1944 with the album Boogie Woogie In Blue by pianist Harry Gibson, who performed as Harry the Hipster.[2] The entry for hipsters defined them as "characters who like hot jazz."
In his book Jazz: A History (1977), Frank Tirro defines the 1940s hipster:

To the hipster, Bird was a living justification of their philosophy. The hipster is an underground man. He is to the Second World War what the dadaist was to the first. He is amoral, anarchistic, gentle, and overcivilized to the point of decadence. He is always ten steps ahead of the game because of his awareness, an example of which might be meeting a girl and rejecting her, because he knows they will date, hold hands, kiss, neck, pet, fornicate, perhaps marry, divorce—so why start the whole thing? He knows the hypocrisy of bureaucracy, the hatred implicit in religions—so what values are left for him?—except to go through life avoiding pain, keep his emotions in check, and after that, "be cool," and look for kicks. He is looking for something that transcends all this bull**** and finds it in jazz.
Marty Jezer, in The Dark Ages: Life in the United States 1945–1960 (1999), provides another definition:
The hipster world that Kerouac and Ginsberg drifted in and out of from the mid-forties to the early-fifties was an amorphous movement without ideology, more a pose than an attitude; a way of "being" without attempting to explain why. Hipsters themselves were not about to supply explanations. Their language, limited as it was, was sufficiently obscure to defy translation into everyday speech. Their rejection of the commonplace was so complete that they could barely acknowledge reality. The measure of their withdrawal was their distrust of language. A word like cool could mean any of a number of contradictory things—its definition came not from the meaning of the word but from the emotion behind it and the accompanying non-verbal facial or body expressions. When hipsters did put together a coherent sentence, it was always prefaced with the word like as if to state at the onset that what would follow was probably an illusion. There was neither a future nor a past, only a present that existed on the existential wings of sound. A Charlie Parker bebop solo—that was the truth.

The hipster's world view was not divided between "free world" and "Communist bloc", and this too set it
apart from the then-current orthodoxy. Hipster dualism, instead, transcended geopolitical lines in favor of levels of consciousness. The division was hip and square. Squares sought security and conned themselves into political acquiescence. Hipsters, hip to the bomb, sought the meaning of life and, expecting death, demanded it now. In the wigged-out, flipped-out, zonked-out hipster world, Roosevelt, Churchill, Stalin, Truman, McCarthy and Eisenhower shared one thing in common: they were squares ...[T]he hipster signified the coming together of the bohemian, the juvenile delinquent, and the negro.
In Lennie Tristano's view, the hipsters' relation to bebop was anything but positive: "the supercilious attitude and lack of originality of the young hipsters constitute no less a menace to the existence of bebop."[3]
 

RT

Smash Hero
Joined
Aug 16, 2005
Messages
9,673
Location
...
NNID
Rockettrainer
3DS FC
4038-6677-8162
You slow, bro.

Almost done with this thing.

:phone:
 

RT

Smash Hero
Joined
Aug 16, 2005
Messages
9,673
Location
...
NNID
Rockettrainer
3DS FC
4038-6677-8162
OOOOOOOOOoooooooooooooh.

:phone:
 

CY

Smash Ace
Joined
Mar 31, 2008
Messages
918
Location
Lamar University, TX
on panda bear, member of Animal Collective

ColinYezak4333 10:39 pm
lol
this whole albums reminds me of acid
and lion king
illmatiiiccc 10:39 pm
LOL
still trying to figure out
how he created something this crazy
in a solo project
ColinYezak4333 10:40 pm
an
d
ColinYezak4333 10:40 pm
thats way better than his bands stuff
illmatiiiccc 10:41 pm
LOOOOL
exactly
ColinYezak4333 10:41 pm
inb4smoom



shout out to smooms
 
Status
Not open for further replies.
Top Bottom